Showing posts with label Likes. Show all posts
Showing posts with label Likes. Show all posts

Contents


Word Power

Featuring: Studio Ghibli

Featuring: Jerry Uelsmann

Featuring: Walton Ford

Featuring: Titan's Goblet by Thomas Cole




Saturday, March 15, 2014

Word Power

The Art of Rhetoric

Why don't they teach this in schools? As I was doing research for my novels, I stumbled across the subject of rhetoric: templates of speech that create resonant power and drama. I feel I've found a missing piece of myself! Turns out, the most memorable authors throughout history, the most memorable speakers are most likely using the techniques of rhetoric. It's a skill they either pick up by reading other books steeped with these patterns, or study it directly as was done in Ancient Greece and through the nineteenth century.

From Shakespeare to Dickens to Melville to Emerson and Lincoln (just to name a few), all of these authors have used rhetorical devices to communicate their ideas. And perhaps, that has made all the difference? Having a compelling idea is one thing, but having the tools to communicate that idea in a compelling way commands attention and adds undeniable style. There are these two essential factors to make something useful happen: inspiration + capability. Rhetoric provides the capability to support inspiration. 

http://www.amazon.com/Farnsworths-Classical-English-Rhetoric-Farnsworth/dp/1567923852/ref=sr_1_1?ie=UTF8&qid=1394939236
(I don't get anything for the link;
it's just for reference)

I've read several books on rhetoric by now, but the best so far has been:

Classical English Rhetoric
by Ward Farnsworth

I checked it out of the library and took so many notes that I was basically transcribing the book, so I finally just decided to buy it outright. ;p  

Aristotle is the classic source for rhetorical techniques and it looks like there are several free options to download his work on archive.org. I haven't looked through them yet for the best one, but I'll update the link when there's one in particular that I end up finding most valuable.  I liked Farnsworth's book because he includes many literary examples from authors frequently studied in school, and I find his concise organization of eighteen particular rhetorical devices (with many variations) to be incredibly helpful.

So often in students are almost made to revere literary 'geniuses' of the past, to feel inferior themselves, when in fact, these authors and speech writers have become skilled in basic rhetorical patterns of speech. Not to take anything away from them, but study rhetoric for yourself so you can reap the benefits too; power to the people!

Breaking the Rules
The one comment I've received so far on my writing from professional publishers is that I 'need more sentence fragments'.  Well, as a college grad, this remark initially made me scratch my head. But, my writing was grammatically correct; but no snarky people could nitpick anything; but ... but ...  Well, I now have the sense of what that comment implied. Rhetorical devices are not something you would use to get an 'A+' in grammar school. In fact, using rhetoric would probably get you points docked off a 'perfect' sentence structure. Grammar school is one thing, true life is another; what's more important, perfect sentences, or powerful sentences?

The key with knowing rhetoric, with infusing yourself with the underlying patterns, is that you know inherently come to know when to 'break the rules' to create deliberate power and drama. Rhetoric is about learning to trust your ear, not just your mind. It's motivation to free yourself from rigid grammatical bonds. It's about staying true to the underlying purpose of the sentence, and knowing why you organized your sentence in that particular way. It's not about 'breaking the rules', but deliberately communicating more effectively. Yeah!

Mental Jujutsu
Even if you don't have aspirations to be a writer, at least take a look at these rhetorical devices since countless politicians (or their speech writers) employ these techniques. If nothing else, use it to immunize yourself from the emotional pull evoked by these rhetorical patterns; it's mental jujutsu! Politicians can use it to incite people to 'join the cause', to pull the population this way or that. At by studying rhetoric yourself, you can separate the technique from the actual idea itself to gain better perspective.

I was so relived to discover the art of rhetoric for myself. It really does imbue prose with a kind of poetry. I have a long way to go to decondition myself from rigid grammatical dogma and instead absorb these underlying rhetorical patterns into my very bones. I'm excited to do it though because I can see it's the path to true creative freedom. Hope exploring rhetoric helps you too!

Blog Post by Laura A Knauth

Monday, April 29, 2013

Featuring: Studio Ghibli

Ghibli films are among my all time favorites. So full of beauty, wonder, and inspiration - they warm my soul! Most of the other films I love all seem to require a particular mindset or level of energy to fully appreciate, but Ghibli films are my 'anytime' favorites. I can be in any mood, or drained at the end of a rough day, and I could watch even just a part a Ghibli film to feel revived and inspired. Studio Ghibli is an animation studio founded by Hayao Miyazaki ... in a *very* vague sense a Japanese version of Disney. (And Disney actually distributes the English versions of the films.) I normally cringe at English dubs, but the screenplay and actors Disney has used really are top notch - credit where it is due.
My montage of snapshots from:
 Howl's Moving Castle and Sprited Away
Movies by Studio Ghibli

Even though you might think most of the films are aimed at children, I say they are absolutely for the young at heart ... that is: for any age. (Actually, Princess Mononoke can be fairly intense and graphic if you were expecting sanitized Disney fare.) I only found out about these films the past couple of years - and from an engineering friend of mine at that (shows the unexpected range of appeal for these films). And another unrelated set of engineering friends have been known to host Ghibli movie nights. Yay! The films are slowly catching on. If I'm ever visiting Japan, I will definitely be making a special trip to the Ghibli Museum, even if I am the only adult in the place. :p

I put together a little photo montage of snapshots I took from various Ghibli movie books I have around the house to help show a sense of the style for these films. Most have breathtaking pastoral backdrops interweaving through the stories, so full of vibrant color and intricate detail. I've always loved pictures where you can see more and more details the longer you look, and these whole movies are full of moving pictures of exquisitely intricate detail. And beyond just the visuals, the storytelling and characters are utterly charming and uniquely refreshing, with layers upon layers of meaning, revealed the more and more you watch.

Some films like Castle in the Sky or Kiki's Delivery Service appear to be set in a quaint European-flavored alternate reality, but others like Spirited Away and My Neighbor Totoro are interwoven through the Japanese landscape (which I love for the insights into social customs and culture in general). Although I'm not as impressed by several of the recent Ghibli films (Hayao Miyazaki has transitioned away from directing), all of the Ghibli films up through Ponyo are highly recommended.

Montage of snapshots from Kiki's Delivery Service and
a 3" Totoro plushie on my dinner table centerpiece ;p
Ranking the Ghibli films is difficult and kind of silly, but just for fun: at the moment, my absolute favorites starting from top are:

Howl's Moving Castle
Sprited Away
Whisper of the Heart    (I love writing :)
Castle in the Sky
NausicaƤ of the Valley of the Wind
Kiki's Delivery Service
The Castle of Cagliostro
My Neighbor Totoro
...



Here's a general link to Hayao Miyazaki's films on Amazon so you can see the covers and find out more info.

Many of the movie tie-ins are also well worth a look. For instance, the movie soundtracks by composer Joe Hisaishi are absolutely gorgeous. And although I have quite a few of the original soundtracks, the interpretations of the music themes by various artists have been getting the most air time in my car lately.

These are my favorite Ghibli soundtrack spinoffs:

These films are subtly powerful and an absolute delight. If the work of Hayao Miyazaki from Studio Ghibli hasn't yet crossed your path, I highly encourage a view, or two, or three!


by Laura A Knauth

Monday, April 1, 2013

Featuring: Jerry Uelsmann

I've been intrigued by Jerrry Uelsmann's work for quite some time. He seamlessly blends composite images in the surrealistic style that reminds me of Escher or Magritte, but it was all done in the darkroom using burning and dodging and who knows what else, before it was possible to digitally combine images in Photoshop. Here's a snapshot of the cover of one of his calendars I bought way back in 2000. (He also has a book: Photo Synthesis)

Photo Synthesis Calendar by Jerry Uelsmann

This image is one of my favorites; I always displayed it outside my cubicle at work and it never ceased to provoke interesting discussions!

So far with my own photography, I haven't delved into digital composites yet, although I will probably end up there one of these days. I'm still focused on trying to take one good picture at a time for now. ;p 

Thanks for visiting my blog!

Tuesday, March 26, 2013

Featuring: Walton Ford

Thought I'd mention an interesting synchronicity in relation to the previous feature I posted for Titan's Goblet by Thomas Cole. When I was at the museum last weekend, for some reason I happened to mention to the guard that classic paintings seemed to have an underlying quality that was missing from the modern art on display and that I'd all but given up checking out the whole contemporary wing of the museum. He mentioned I might be interested in a work by Walton Ford they had recently installed on the top floor, so I thanked him & went up to check it out. The work was titled: Gleipnir, and features a striking wolf in huge proportion to the rest of the landscape; it reminded me of the surreal impression from mixing proportions in Titan's Goblet by Thomas Cole. (The image in real life is enormous - it took up a whole wall.)

Gleipnir by Walton Ford


I went home & looked up an interview with Walton Ford on Art21, he actually described the Hudson River School style of painting (which Thomas Cole started) as inspiration for the backdrop for some of his work. Intriguing coincidence! Thought the rest of his interview was very thought provoking as well, so wanted to pass it along. I am more and more inspired by these aspects of storytelling through imagery. I want to start experimenting with this more myself.

It's so encouraging to see some contemporary art that is more than a haphazard mash-up of imagery that I find in most modern exhibits. I mean, to some extent you could frame a picture of anything, or put any object on a pedestal and if you as a viewer are poetic enough, you could interpret something about the nature of the universe. But that defers nearly all interpretation of meaning and significance to the viewer. At that point, people could learn just as much taking a walk anywhere and reflecting on their own surroundings. If something is in a museum and labeled 'art', I do appreciate some level of structure and intent from the perspective of the artist. (Maybe most contemporary 'art' would be better served in some other format, like an essay. The random imagery just doesn't do it for me, anyway.) I found the work from Walton Ford to be a breath of fresh air & hope you find the links worthwhile.

Walton Ford feature at the Paul Kasmin Gallery
Art21 feature of Walton Ford
Walton Ford - Wikipedia

Incidentally, this 'Likes' section I started is a bit more complicated then I thought due to copyright concerns for artists within the past 100 years. I just wanted to show a small sample of other people's work & comment on it; but am not sure the proper way to do it. I think (hope) I might be able to take pictures of some books I have for future posts and work it in that way.

BTW, for photographers out there, I found it interesting looking at the classic paintings in grayscale to study the underlying structure of the images you find most successful. (You could use a computer to desaturate a color image, or I've been using a handheld B+W viewer either at the museum or my own art books). As George DeWolfe suggested, there definitely seems to be something the classic painters figured out either consciously or intuitively about how to construct their images using a strong understanding of grayscale tones to separate and relate objects to each other.

by Laura A Knauth

Thursday, March 14, 2013

Featuring: Titan's Goblet by Thomas Cole

Thought it would be fun to add a 'Likes' section to highlight random things I think are awesome.

This post features "Titan's Goblet" by Thomas Cole. It is one of my all time favorite paintings.
Just an ordinary day in an extraordinary world.

There is something about this painting, the child-like wonder expressed with adult skill and maturity that I LOVE. It might even be the theme of (or my hope for) this blog.

Other paintings from Thomas Cole are all beautiful and inspired landscapes (shoutout to the Hudson River School), but the serious whimsy on display here is one of a kind.

Enjoy!